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These brands are merging traditional crafts with cutting edge technology, while keeping it all sustainable as well
In recent years, the demand for energy-efficient and eco-conscious solutions has permeated nearly every industry, and lighting is no exception. As this slowly turns into a guiding principle, the lighting industry has seen a shift towards innovative designs that prioritise sustainability without compromising aesthetics or functionality. These innovations extend beyond merely reducing energy consumption, to embracing materials and processes that minimise waste, promote recyclability, and reduce the carbon footprint. This article highlights five lighting brands that tell us about their philosophy and process:
Olie led by Amrita Nambiar is a Bangalore-based experimental lighting studio that blends art, design, and craft to create intentional, handcrafted light sculptures. Each of their pieces is designed to play with light and shadow, offering an immersive experience. “We believe that each piece needs to stem from a story or an emotion that lends a deeper meaning to the design,” elaborates Amrita. Olie’s commitment to sustainability runs deep, with every item made to order, avoiding excess stock and reducing waste. They use eco-friendly materials like cotton, cane, banana fibre, and wood in their products, while metal scraps are repurposed, and fabric waste is sent to NGOs to create new products. Olie’s approach minimises environmental impact, with low energy and water usage in the handcrafting process.
Their sustainable ethos extends to packaging, where fragile products are shipped with biodegradable bubble wrap and cardboard boxes. A new initiative allows customers to return the bubble wrap for reuse, reducing waste even further. Olie focuses on creating long-lasting pieces that can be enjoyed for years, and their "repair and reclaim" program allows customers to refresh their ageing products, breathing new life into them without contributing to landfills. All their lights are made by local artisans. Amrita says, “Working with local communities has always been a part of our ethos, right from welders to finishing craftsmen to weaving communities.”
Amrita believes that designers and clients have both embraced the idea of approaching lighting as sculptural elements in their spaces. She further says, “They are coming to us with open briefs and minds and falling in love with the results. We can expect more vernacular materials, stunning textures and crafts that are relevant to India's rich cultures and traditions and see some truly exceptional work coming out of India in the future.”
Vakr, a Delhi-based design studio led by Devyani Gupta and Nehit Vij blends modern computer-aided technology with traditional Indian craftsmanship to create organic forms in furniture and lighting segments. The studio’s mission is to explore India’s craft heritage within the threshold of contemporary design. “We believe that the lighting or furniture pieces in any space must prompt conversation about India's craft and culture, along with the advent of technology and materials,” elaborates Devyani. Vakr is committed to sustainability, using eco-friendly materials like rattan, bainth, and reclaimed wood, which are durable and require minimal maintenance. In the effort to minimise environmental impact, they focus on zero waste by repurposing materials such as foam and using reusable wooden crates for shipping.
Vakr’s collaborative design process involves local artisans, including woodworkers, engraving experts, and painters, to create pieces that evoke both innovation and heritage. Devyani believes, “The lighting segment has become bold, innovative and omnipresent in all facets of design. Depending on the design language and the space, lights can be the highlight or a background feature—but nonetheless an essential part of the experience. In the coming years the focus will be on conceptualising and creating statement pieces with a precedence on the functionality.”
Anuvad Innovation Studio LLP, founded by Chhail Khalsa merges traditional crafts with technology. The studio's work spans from functional e-textiles to interactive art, aiming to "humanise" technology through thoughtful, immersive designs like their newly launched LEIT (Light Embedded in Textiles) globes. The fabric with their proprietary circuits is handwoven and then pieced together by hand with sewable LEDs to form sphere globes. These are produced by generational artisans, whether through embroidery or weaving and are pieced together with Burma teak tops with brass detailing.
Anuvad emphasises sustainability in its design process, using natural fibres like cotton and kala cotton and embroidered fabrics, along with materials like stainless steel, brass, and Burmese teak. Its technology is integrated into the fabric structure and is modular, allowing for easy replacement of malfunctioning parts to minimise electronic waste.
“I think the world has gotten smarter and so are our spaces and everything in it. While aesthetics will still be key in design, our spaces and thereby space related products will have to evolve with the times too. There will be a need for the products in our spaces, whether private or public, to do more than just be aesthetically strong. We need to make the spaces respond to us,” says Chhail. Anuvad’s flexibility in the design process, from frequent upgrades to continuous problem-solving, keeps the brand dynamic and constantly evolving, ensuring their products meet the changing needs of the future.
The Wicker Story, founded in 2018 by Priyanka Narula in Hyderabad, centres around traditional cane and rattan basketry crafts local to the area. This skill is then tweaked in its scale and properties to produce 3D geometries in the form of sculptural lighting, furniture, artworks and large-scale installations. “From my education onward, I’ve always been conscious of the environmental impact of my work, which is why sustainability is at the core of every product I create. When designing a lighting piece, the challenge is finding a creative direction that is both modern and progressive while remaining sustainable. Sustainability doesn’t stop with using eco-friendly materials. It encompasses many aspects, from slow production methods to minimising waste, recycling, and even the packaging and shipping processes from the factory to the end user,” says Priyanka.
Their products combine cane to create frameworks and ratan to produce surface weavings. Cane reed is either used as a whole or peeled to make tar for weaving, ensuring no part of the material is wasted. While their products are resilient, they require protection from water and sunlight due to their natural composition. The studio’s hands-on approach and continuous research in material and weave strategy define their evolving design practice. Lighting design, according to Prianka, has shifted towards creating immersive, experience-driven environments. She further says, “Technological intervention will play a significant role in shaping the future of lighting design. We will be able to see a steady increase in functional lighting that becomes more responsive to mood, time of day, and energy efficiency.”
Adigami, based in Jaipur, is reimagining paper as a medium for art and design through the vision of co-founders Aditi Anuj, an origami artist and textile designer, and Neelam Nagrani, who brings expertise in finance. Their creations, which span industries like architecture, fashion, and interior design, are known for merging traditional origami techniques with contemporary design principles. “We aspire further to elevate origami in the global art and design narrative. Our hope is to engage more communities, share our knowledge, and inspire the next generation of creators. We believe that every fold tells a story, and together, we can unfold new narratives through origami,” says Aditi.
Adigami prioritises eco-friendly materials, using FSC-certified handmade paper, recyclable plastics, energy-efficient LED components, and natural fibres like jute and cotton. These materials not only enhance the visual appeal of their work but also promote sustainability, such as a recent project for a Japanese client that combined FSC paper and recycled wood.
The brand's philosophy centres on pushing the boundaries of origami, transforming the craft from its traditional roots into innovative contexts. This approach is seen in their sustainable lighting designs, tested for durability and performance, incorporating feedback to refine the final product. Adigami’s collaborative approach, involving clients and other artists, further enhances the creativity and uniqueness of each piece.
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