Old-school crafts get a modern upgrade: Part 1

Bidriware

Bidriware, a centuries-old metalwork technique originating in Bidar, Karnataka, is revered for its intricate silver inlay on a dark, oxidised zinc alloy base. Traditionally used in decorative items like vases and hookah bases, this craft combines Persian and Indian aesthetics, creating intricate geometric, and nature-inspired designs that gleam against the deep black background. With its craftsmanship and visual allure, Bidriware has now found its way into modern home decor.

Based in Bengaluru, the KAASH Foundation, founded by Sridhar Poddar, fosters collaborations between traditional artisans and contemporary designers, architects, and artists. Traditionally reserved for ornamental items, KAASH has elevated Bidri through lighting sculptures, one of which has been acquired by the Victoria & Albert Museum’s Contemporary Collection. “Craft is design, and design is craft. There’s no difference between the two; they both reflect creativity and skill. We act as a catalyst, facilitating collaboration and helping artisans understand the nuances of designing for modern applications,” explains Sridhar.

Mumbai-based gallery æquō, founded by Tarini Jindal Handa, incorporates Bidriware in ‘Pila’ screens crafted by master artisan Mohammed Abdul Rauf. It showcases an illustration designed by French illustrator Boris Brucher, inspired from the landscapes of Karnataka. Speaking on their approach, Tarini highlights the importance of sustainability, stating, "We integrate traditional crafts with eco-friendly practices, from using found materials to recycling gallery waste, embodying our commitment to sustainable luxury."

Inlay Work

Inlay work, a centuries-old craft believed to have entered India with Persian artisans during the Mughal era, involves embedding delicate materials like wood, stone or shells into the surface of a larger base, traditionally marble, wood, or metal. This technique, once favoured for its intricate floral and geometric patterns on palace floors and furniture, has now evolved. Brands are adapting inlay work to suit today’s homes.

Within, a New Delhi-based design firm founded by Sonal and Bobbi Tuli, has reimagined inlay work with their “Sanctum” collection. This collection symbolises inner dualities, juxtaposing stones like Malachite, Yellow Tiger Eye, Moonlight, and Lapis Lazuli with black marble. Each stone is cut and set in a mosaic to form geometric patterns. Describing their design process, the founders share, “Experimenting with new forms and concepts pushes artisans rooted in traditional motifs to adapt their skills to fresh, contemporary designs.”

Intricate Wood Carving

Intricate wood carving dates back centuries and showcases the incredible skill of artisans who transform wood into highly detailed, sculptural works of art. Historically, this craft has been an integral part of Indian architecture, religious artefacts, and traditional decor, with regional techniques varying in style and intricacy.

Mana Collective, founded by Aditi Kedia and Harshitaa Agrawal, merges the heritage of South Asian craftsmanship with modern sensibilities. Their Dhyan Collection pays homage to the woodcraft of the Kathmandu Valley, where artisans use traditional jaali techniques. Each piece features woods like teak and sheesham, emphasising both beauty and durability. As Harshitaa explains, “The goal is to modernise traditional motifs, moving from ornamental styles to more minimalist interpretations.”

New Delhi-based Within celebrates the craftsmanship of Kashmiri walnut wood in their Rozan-e-Kashmir chair. Inspired by the landscapes and culture of Kashmir, the chair’s octagonal frame reflects elements of Kashmiri architecture, while detailed carvings capture the essence of Dal Lake’s floating market. The piece combines wood carving with hand embroidery to create a “window to Kashmir.” Studio Smitamoksh, a design collective led by Smita and Moksh in Sanand, Ahmedabad, focuses on sustainable wood carving. Their Gajendra Art uses teak wood treated through water and solar seasoning to retain elasticity and resistance to pests. It is constructed from carved segments, creating layered compositions that reflect the brand’s interest in heritage and nature-oriented design.

Bamboo and Cane

Among India’s oldest artisanal traditions, bamboo and cane found predominantly in the cultural traditions of Assam, Nagaland, and Kerala, utilises locally abundant materials like bamboo, known for its fast growth and eco-friendliness, and cane, prized for its flexibility and strength. Artisans employ techniques like weaving, splitting, bending, and carving, honed over generations to produce baskets, mats, and simple furniture. However, their organic beauty has made them symbolic of India’s cultural heritage and speaks to the sustainability needs of modern homes.

Cane Concept, led by Creative Director Aku Zeliang, is a Nagaland-based family-run brand that has spotlighted Northeast Indian crafts since the early 1990s. Noticing the gap in designs centred around cane and bamboo, Aku saw an opportunity to make a difference. Their creations include furniture, lighting, and even artworks in bamboo and cane. Aku says, “Our work harnesses the natural dexterity of local artisans and merges it with rich Eastern traditions.” Their products have become popular in the hospitality sector, where sustainable materials are increasingly in demand.