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Asian Paints announces its 2025 ColourNext forecast

  • ColourNext Trends
Feb 19, 2025
Yellow sofa in a purple room with eclectic décor - Beautiful Homes

The Asian Paints ColourNext Forecast for 2025 offers in-depth insights into the currents of change that are shaping design perspectives and trends for the year

The Asian Paints ColourNext is an annual endeavour by the brand to forecast findings that will impact design in the coming year. This well-researched annual report is the outcome of the collaboration between Asian Paints and experts from a cross-section of industries and creative fields. The research looks closely into movements observed across society, in popular culture, architecture and diverse design disciplines. The outcome of this extensive study and analysis is the Colour of the Year, Wallpaper of the Year and four significant findings that will impact design in 2025.

 

South Asia’s premier colour and material intelligence report was first introduced in 2003. Over two decades later, it continues to be essential to a designer’s toolkit with important directions that can help shape their vision. And here’s what we have to look forward to this year!

Colour of the Year 2025: Cardinal

Cardinal, the Colour of the Year (COTY), is all about the feels. It urges us to embrace everything and anything that we feel—joy, contemplation or thoughtfulness. A dusky, soulful shade, it is a reminder of what it means to be human and to fully understand the complex matrix of emotions. Cardinal is about surrendering to feelings without judgement and discovering the joy of unfiltered authenticity. Profound and poignant, the colour of 2025 brings with it a sense of inner harmony.

Colour of the Year 2025, shade 8206 Cardinal – Beautiful Homes

Cardinal, the Colour of the Year 2025.

Spring Tune floral wallpaper from the Nilaya collection - Beautiful Homes

All about slowing down and pausing, Wallpaper of the Year 2025, ‘Spring Tune’ evokes feelings of serenity and peace.

Wallpaper of the Year 2025: ‘Spring Tune’

All about slowing down and pausing, ‘Spring Tune’ evokes feelings of serenity and peace. The Wallpaper of the Year distils the sensorial experience of quiet afternoons spent sheltering under a tree with the scent of flowers wafting around. The colour, motifs and seamless texture echo that similar sense of calmness. It embodies the contentment of a still and silent spring day, with only nature to keep you company.

Finding #1: Salt

It is such an inherent part of the world we inhabit that we tend to take it for granted. Until recently. Salt, that omnipresent, health-giving mineral, has been rediscovered as the biomaterial of the future. It is abundant in nature, has a delicate strength, is carbon-neutral and even helps us breathe better. Its use and influence are across industries, from hospitality and cooking to architecture and design. In fact, technological advancements are offering opportunities to explore salt as a medium to create eco-friendly and efficient spaces with visual appeal.

Close-up view of pink Himalayan salt crystals – Beautiful Homes

The Himalayan pink salt has many benefits and is used liberally in cooking. Image courtesy, Unsplash

Cabinet with lamps and décor against a textured wall and large window - Beautiful Homes

A space that expresses the 'Salt' finding through decor. The rosewood pop-up jewellery chest from Bhatkal, Mahendra Doshi Est. 1974. Also from Mahendra Doshi are the tobacco-glazed Chinese jar lamp over the chest, the blue and white vintage ginger-jar table lamp, the Asian rattan box and the colonial 'Queen Anne Legs' birdcage. The Asian Paints finishes used are ‘Pale Orchid (7231)’, Royale Play ‘Archi Argilla Earth in Mud House (8656)’. Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints


 

Finding #2: India Everywhere

Indian design has finally come out of the trappings of exoticism and is earning a rightful place on the global stage. Its previous avatar of ancient crafts and exotic everything is morphing into a mature contemporary aesthetic with a global design language. It does so while reimagining its heritage, not overexplaining it and confidently showcasing its many paradoxes. From movies to design to art, Indian cultural cache has grown with creative professionals from the country earning international acclaim.

Outdoor space with pink arches, a unique chair, and greenery - Beautiful Homes

The 'Drumstick' table and 'Box Jute' rug are from Hatsu and the '3some' seating from Red Blue & Yellow. The Asian Paints finish is ‘Madder Rose (SA21)’. Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints

Colourful stained-glass windows in a room - Beautiful Homes

Vibrant colours and bold prints are hallmarks of 'Bad Taste?'. The colonial 'Queen Anne Legs' birdcage, floor lamp, reproduced Jeanerret 'Kangaroo' chair and teakwood country console are from Mahendra Doshi Est. 1974. Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints

Finding #3: Bad Taste?

If you have something to say, shout it from the rooftops. ‘Bad Taste?’ is a call to wear your maximalist preferences on your sleeves. What was once dismissed as bad taste is now in a bold rebellion against restrained elegance. Flamboyance is the catchword for design this year, so be audacious and unapologetic while expressing yourself. And while going overboard is always fun, this finding has deep roots. ‘Bad Taste?’ is a reaction to a world where there is a lack of trust in traditional power structures and eroding generational wealth. In this new world, luxury too is being redefined. It is warm, playful and most importantly, inclusive.

Finding #4: Feel More

This finding of the ColourNext Forecast, much like the Colour of the Year, advocates wearing your emotions on your sleeve. In a tech-first world that has led to an almost robotic sameness, ‘Feel More’ is a defiant rejection of that sense of indifference. This finding rises from a yearning to go beyond the pursuit of Instagram perfection or the numbness that results from digital saturation.

 

This means confronting our darker feelings, accepting them as part of one’s identity. The upside is being open to spontaneous experiences, embracing unpredictability and the feelings it will invoke. It also means accepting what may seem different from the norm and allowing things to resonate emotionally. This year is about being brave and open to authentic experiences that evoke strong feelings.

Artistic room with textured walls, cylindrical structures, and a minimalist bench - Beautiful Homes

The 'Hand of Adam' side table is from Atelier Ashiesh Shah; the 'Drumstick' table from Hatsu and the 'Kenna Ivory Gold' rug from Hands Carpets. Asian Paints finishes used are Royale Play ‘Fuso Bronze’, Nilaya Play ‘Wall W.R.A.P. Granite Marble Mix’, Royale Play ‘Ironic’ on the bench. Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints

Living room with a yellow sofa, purple walls, and eclectic décor - Beautiful Homes
The Lacquer Wall look styled by Pooja Bhandary for Colour of the Year 2025 showcased reproduced Jeanneret Kangaroo chairs, Naga Bench and Ceramic urn from Mahendra Doshi Est. 1974. The Moda sofa from Camerich is from Defurn; the Nama wardrobe is from Red Blue & Yellow and the Wallace armchair is from Poliform. Photographed by Kunal Daswani with with Asian Paints
Two lit candles on books against a textured wall - Beautiful Homes
The 'Metallo Fuso Ripple’s' textured metallic finish by Asian Paints’ Royale Play is a vivid, moody addition to interiors. Image courtesy, Asian Paints
A chair with decorative elements against dark curtains and a yellow wall with framed art - Beautiful Homes
The 'Naga' chair is from Atelier Ashiesh Shah and the 'Italy' multi-rug is from the One Love Collection, Hands Carpets. The Asian Paints finish is 'Yellow Moss (9864). Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints
Dining area with a large, dome-shaped chandelier, wooden table, and eclectic décor - Beautiful Homes
The English child's rocking horse, teakwood country console and the ceramic vase atop, the side table and the clay vase on it are all from Mahendra Doshi Est. 1974; the 'Meld Green' rug is from the Urbane II Collection, Hands Carpets. The Asian Paints finishes used in the set-up are ‘Mauve Fog (K076)’, ‘Meditation (K141)’, ‘Apricot Cream (SA16)’, Royale Play ‘Ironic’ on the bench; the wallpaper is ‘Argali (W218L371N75)’ in Willow Green from Nilaya Ladakh Diary. Space styled by Pooja Bhandary; Photographed by Kunal Daswani with Asian Paints

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