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Gurgaon-based interior designer Aditi Sharma maximised the use of old-world crafts within a soothing neutral shell to create a home filled with memories and memorabilia
Enthusiastic clients with an open mind offer a positive start to any design project. As was the case with Aditi Sharma’s renovation of a two-storey Gurgaon bungalow. It was founded on a fun brief of vivid colours, ethnic crafts and a passionate reading habit, which needed to be maximised in one 3,500-square-foot duplex home. The interior designer, who set up her eponymously named Gurgaon-based studio in 2017, was excited at the idea. “It isn’t often that clients tell us that they are not scared to use bold colours. It is their willingness to try different things that allowed us to create such a vibrant space.”
Sharma, whose other passion includes concrete-made fashion accessories sold under the label Greytone, talks about enveloping colour and craft in soothing neutrals in this two-storey home within a gated high-rise. Edited excerpts from an interview:
Aditi Sharma (AS): The clients had a specific vision for this house meant for a multigenerational family of five. It had to convey a story of cherished memories, which would serve as a sort of cultural induction for the youngest family members. The homeowners are also passionate about ethnic Indian arts and crafts; they have a vast collection that they want to use around the house. We kept that in mind while planning the design. They also wanted every space of this house to be uniquely designed.
AS: Our primary focus in all our projects is to give timeless design solutions and enrich the human experience through the space. By that, we mean how one will feel and behave in the space. And to fulfil that purpose, the aesthetic and practical aspects have to go hand in hand.
For this space, we created a neutral base that would balance the client’s eclectic preferences. We then infused the space with Indian art, craft and colours. We added a touch of whimsy and lore while doing it. This design is a fresh outtake of the vernacular way of living in a brand-new context.
AS: For the neutral base, we used micro-concrete in the common areas for a smooth and seamless finish and wooden flooring in the bedrooms. We chose materials that were long-lasting and easy to maintain, and complemented the furniture and the decor. Given that this space was going to be maximal in its colours and crafts, we chose an open-plan layout. Instead of walls, for instance, we opted for foldable screens and shelving partitions. We wanted to make the spatial movements fluid while offering soft thresholds and partitions.
AS: The art and artefacts used are visible right from the moment one steps into the house, with two Chettinad columns framing the entry into the living room. The more formal portion of the living room then gives way to an informal reading nook. There is art and craft on both walls. This includes Warli work from Bihar, Mandalas from Tibet, Prabhavalis from the south and a meticulously knitted carpet from Turkey.
We also leveraged their need for storage as a way to incorporate more art into the space. For the main corridor off the living room, we created recessed storage on-site with a collection of the clients’ pattachitras inset in the shutters and secured with glass. Then there is the first-floor guest bedroom; Rajasthani arches and floral motifs inspire the long art panel along one of its walls. Craft is very much a predominant element.
AS: That, in fact, was very intuitive and also inspired by clients. We ensured every space was unique. The dining room, for instance, is a large, well-lit area with a foldable partition that divides it into two spaces—the second space doubles up as a cosy guest room with a teal sofa-cum-bed set against a similar-coloured accent wall. Then the grandmother’s room which has brighter shades balanced out by warmer ones. The master suite on the upper floor is a complete contrast to these spaces, and kept minimal, with a large custom bed as the focal point. This space was a careful balance of colour, craft and neutrality.
The family lounge is a microcosm of the larger design concept—it exhibits how contrasting elements complement one another and look harmonious. This junction of the house has a bar unit inspired by a colonial secretary desk, a robust rattan bookcase and an heirloom rocking chair. We opted for a contrasting colour scheme of green and pinkish-mauve for the walls so as to reflect the different personalities of the family members using it.
AS: That would be the bathrooms. The material, colour and textures are bold yet balanced. Like the master bath, a Moroccan-style space that uses a complement of pink and black to incorporate and express feminine and masculine energies.
All images by Ishita Sitwala
Will you be living in your space during the renovation ?
DEC 2023
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17 Oct 23, 03.00PM - 04.00PM