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In this town near Bengaluru, Ajith Andagere has converted a 130-year-old house into his studio for Andagere Architects. He speaks to us about his work using traditional techniques, his new Goa studio and Kaikale, his craft-based workshop that produces furniture and objects
Some spaces don’t need to do much to magnetise you to them. Of course, as you get to know architect Ajith Andagere, you realise that statement is the whole philosophy of his practice. But I am meeting the man and visiting his Goa studio for the first time and walking through the Goan lanes of chaos into his studio—it makes complete sense if you know about his work—I am immediately soothed. With his curly mop of hair, dressed in khadi-linen trousers and shirt as Ajith opens the door, fifty percent of the job is done by the wafting fragrance of filter coffee and the signature steel glasses I spot immediately. And the rest, by the airy expanse of his minimal open-plan office.
Ajith started his studio in Goa only two years ago, but Andagere Architects has been working for 22 years—from Hampi to Bengaluru to its latest home Magadi near Bengaluru. “I was done with the city. So, I bought a farm where I could plant my trees and live there for life.” But a chance encounter with his current business partner brought him to Goa in search of newer pastures. “He really connected with my work. And the proposition was tempting because he already had the land, so I don’t have to think about anything except building the houses exactly as I like. It’s like being my own client, the best feeling,” he smiles.
In Magadi, Ajith converted a 130-year-old house into his studio and had plans for something similar in Goa. But finally went with what used to be a yoga studio. “We looked at old Portuguese homes, but when we found this I liked the idea of having the whole team in one space instead of being separated in different rooms,” he says. In case you are wondering, the coffee, I found out, is from Chikmagloor (with 10% chicory, my favourite!).
Over a cup, seated on his studio-made couch, I spoke to him about Andagere Architects and Kaikale, his craft-based workshop that produces furniture for architectural spaces. Edited excerpts from an interview:
Ajith Andagere: As architects, we have understood that we play a very important role in society. One is to build appropriately taking care of surrounding nature and the Earth, and the second to give support to the dying crafts. Andagere Architects is a 360 degree-involvement architectural practice. When I say 360 degrees, we don't just act as architect consultants—we, of course design a building, and also get involved in construction management. The philosophy of my practice is that we try to keep it quite simple, minimal and straightforward which definitely finds inspiration from how people used to build earlier. We try to use materials that age well while reducing the usage of industrially produced material. And a lot of work is done by hand, which I believe adds to the soul.
AA: We want to simplify the whole process, so we are always in the quest of what not to do rather than what to do. Because what to do is easy today—there are so many ideas and materials available. So, anybody can design a house in that sense. In our observation, the old beautiful houses were built with two or three materials. They've created such beauty using few materials and very little resources. But we are failing today in the 21st century— with so much available material and craftsmanship, we're not able to achieve what they have achieved.
We take one material to the next level, try not to clutter spaces with materials or colour and that's when it becomes very minimalistic. And then there is spatial planning. We also believe there's beauty in emptiness as well, not every inch should have a purpose and that’s a balancing act. To have that sense of aesthetics in minimalism, that's the toughest. I start from a perspective where home is very sacred to anybody. You are out and busy all day, plus the whole country is cluttered now, when you come home it’s the one place where you can be yourself. So, you cannot have visual clutter in your house. We put a lot of effort into building a home, that's why I say it's a handcrafted house.
AA: So, there are three main materials that people have been using to build beautiful homes traditionally. I don't use cement unless it's really, really required. We use earth, wood and stone, which is available locally. It's not industrially cut, we have a very basic way of cutting the stones and wood. But none of what we're doing was invented by us. It is all time tested—the material, detailing and the thought process is traditional.
AA: Over the last 40-50 years as a society, we’ve transformed to a very modern way of living. But coming from our Indian context, following the straightforward European or Singaporean or Dubai style architecture, it’s something I cannot relate to. When we build, we connect everything with our history, it could be something tangible or intangible.
So, at the fundamental level our task becomes to educate and change how people think and that is not easy. We don’t work based on Pinterest or Instagram, everything is site specific. And specific to your personality and budget, combined with our experience. We don’t have a menu, it’s like cooking based on the ingredients available. But with this whole philosophy of building, we are swimming against the current. Of course, we understand that lifestyles have changed so our architecture is as they say, ‘an old root and a new shoot’.
AA: Kaikale is located in a village called Gollarapalya, which is close to Magadi town. Magadi is located about 45 kilometers west of Bengaluru. The philosophy behind Kaikale, as its name says, is that it's people-driven more than machine-driven. We use carpenters, blacksmiths, cane weavers, stone cutters and we work with materials like leather, wood and fabric. We do have machines which we utilise to get a bit of speed and precision, which is kind of helping the hands to give a proper shape to the pieces.
My clients are my first customers for this company. For the last seven, eight years, my projects have been supporting me to engage all these artisans on a full-time basis. All the wood which we use and what you see around is sourced from Karnataka, and half of them are non-forest timber. We also started working with bamboo. Now we are setting up a design studio and dedicated designers can experiment and work on new prototypes and talk the same language with the customers who are architects and designers. Going forward, I hope I can reach a level where we are not only doing projects, but can also inspire a younger generation of students and architects.
AA: Whatever I have learned about building is from the vernacular houses and villages that I have been to. At some point I realised that I’m using this knowledge only for my own practice. So, we started Samrakshan to mainly focus on making it a platform to archive the vernacular architecture of the country, beginning with Karnataka since we live there.
Through the documentation we want to educate young architects, architecture students or even the homeowners and builders. And then eventually all of this will lead into advocacy, where we will work with the government in policy making for the conservation of local architecture and practices.
All images by Studio Suryan//Dang
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DEC 2023
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17 Oct 23, 03.00PM - 04.00PM